Monday, May 7, 2012

The Good Old Romantics...

The Last of the Flock

By: William Wordsworth
  In distant countries I have been,
  And yet I have not often seen
  A healthy man, a man full grown,
  Weep in the public roads alone.
  But such a one, on English ground,
  And in the broad high-way, I met;
  Along the broad high-way he came,
  His cheeks with tears were wet.
  Sturdy he seemed, though he was sad;
  And in his arms a lamb he had.

  He saw me, and he turned aside,
  As if he wished himself to hide:
  Then with his coat he made essay
  To wipe those briny tears away.
  I follow'd him, and said, "My friend
  What ails you? wherefore weep you so?"
  --"Shame on me, Sir! this lusty lamb,
  He makes my tears to flow.
  To-day I fetched him from the rock;
  He is the last of all my flock."

  When I was young, a single man,
  And after youthful follies ran.
  Though little given to care and thought,
  Yet, so it was, a ewe I bought;
  And other sheep from her I raised,
  As healthy sheep as you might see,
  And then I married, and was rich
  As I could wish to be;
  Of sheep I numbered a full score,
  And every year increas'd my store.

  Year after year my stock it grew,
  And from this one, this single ewe,
  Full fifty comely sheep I raised,
  As sweet a flock as ever grazed!
  Upon the mountain did they feed;
  They throve, and we at home did thrive.
  --This lusty lamb of all my store
  Is all that is alive;
  And now I care not if we die,
  And perish all of poverty.

  Six children, Sir! had I to feed,
  Hard labour in a time of need!
  My pride was tamed, and in our grief,
  I of the parish ask'd relief.
  They said I was a wealthy man;
  My sheep upon the mountain fed,
  And it was fit that thence I took
  Whereof to buy us bread:
  "Do this; how can we give to you,"
  They cried, "what to the poor is due?"

  I sold a sheep as they had said,
  And bought my little children bread,
  And they were healthy with their food;
  For me it never did me good.
  A woeful time it was for me,
  To see the end of all my gains,
  The pretty flock which I had reared
  With all my care and pains,
  To see it melt like snow away!
  For me it was a woeful day.

  Another still! and still another!
  A little lamb, and then its mother!
  It was a vein that never stopp'd,
  Like blood-drops from my heart they dropp'd.
  Till thirty were not left alive
  They dwindled, dwindled, one by one,
  And I may say that many a time
  I wished they all were gone:
  They dwindled one by one away;
  For me it was a woeful day.

   To wicked deeds I was inclined,
  And wicked fancies cross'd my mind,
  And every man I chanc'd to see,
  I thought he knew some ill of me.
  No peace, no comfort could I find,
  No ease, within doors or without,
  And crazily, and wearily
  I went my work about.
  Oft-times I thought to run away;
  For me it was a woeful day.

  Sir! 'twas a precious flock to me,
  As dear as my own children be;
  For daily with my growing store
  I loved my children more and more.
  Alas! it was an evil time;
  God cursed me in my sore distress,
  I prayed, yet every day I thought
  I loved my children less;
  And every week, and every day,
  My flock, it seemed to melt away.

  They dwindled. Sir, sad sight to see!
  From ten to five, from five to three,
  A lamb, a weather, and a ewe;
  And then at last, from three to two;
  And of my fifty, yesterday
  I had but only one,
  And here it lies upon my arm,
  Alas! and I have none;
  To-day I fetched it from the rock;
  It is the last of all my flock.

 I liked this poem a lot. "The Last of the Flock", by William Wordsworth, was written in the heat of the French Revolution, in a time were liberty was what people wanted the most. This started the liberty part of the Romantic movement. Through poetry, Romantic authors wished to portray the feelings and the needs of the common man in a way accessible to all. 

Samuel Taylor Coleridge, then, met with William Wordsworth and they released an anonymous book of ballads, caring not about their personal fame but about the effect it had on people. They were trying to return the dignity to common people, tired of the pyramidal hierarchy that gave importance only to the monarchs. For this reason, Wordsworth chose a simple man from a farm as the main focus of his poem "The Last of the Flock." 

The poem tells the story of the owner of a flock of sheep, who lived in happiness with the richness provided to him by the increasing size of the flock. He had 50 in the climax of his career, excited that he was able to feed his family of six children. However, Wordsworth's ballad becomes a sad tale as the farmer remembers how the number "dwindled" down until he had three, then two, then he was left with "the last of all [his] flock." 

The importance of this poem lies in the originality of basing it on a common person. The speaker of the poem realizes that a poor man is in pain, and he cares enough to stop and ask "what ails him." Wordsworth is proving that a common man is worth stopping for. Wordsworth also portrays the owner of the lamb as someone who is humble and hard working, highlighting the benefit of the working class within society. Not mentioning the monarchy or the french king in the entire poem, Wordsworth is focusing on the change taking place in the minds of the people about who is important and who deserved dignity. It could be read as a simple children ballad or song, but in reality, William Wordsworth's "The Last of the Flock" represents the social class that was left behind and transforms the order of significance of each level in society. Wordsworth is achieving quite and peaceful criticism, and I personally think it is highly effective.

Sunday, May 6, 2012

Finally In the Lead

"'No, wait,' I yelled. 'Let's follow a leader, let's organize. Organize.'" (276) This is how our protagonist began forming an army of followers in his fight for equality. Or at least that was his plan. Realizing that he had a greater mission in the world than he would've ever thought, the protagonist decides to be the leader and speech maker he knew he could be. He finally accepts the job proposal by Brother Jack, in which he is asked to give speeches as part of his organization in order to bring his race to action.

When the protagonist finally gave him a chance, Brother Jack introduced the job like this: "How would you like to be the new Booker T. Washington?" (305) Interestingly enough, the protagonist had already portrayed Washington once before, when the phrase "social equality" slipped his lips giving a speech. The protagonist accepts, willing to be seen as the much needed leader in this community. However, the job comes with its important changes. Describing his first experiences, the protagonist said "Inside I found a name written on a slip of paper. 'That is you new name,' Brother Jack said." (309) This change is not felt very strongly by the reader, as we never really knew the protagonist name. However, it's even more a way for him to represent all blacks instead of just an individual character. In being a leader, the protagonist has to rid himself of his own personality to instead become each one of the audience members at the same time.

Then, a metaphor we hadn't heard before comes up in the story. The protagonist is remembering the times when his father "had been beaten blind in a crooked fight," and "of the scandal that had been suppressed, and how the fighter had died in a home for the blind." (334) This metaphor actively describes the "crooked fight" of racial equality, in which the blacks have been "beaten blind." They can no longer see that they are in a fight, as they have become submissive of their place in society. The "home for the blind" is the south, were the blacks who don't think of changing anything stay during their whole lives, conveniently oblivious of the fight going on outside, where they "die blind". It is as if the blacks were trying to fight for their own rights, yet they hadn't been able to organize so as to fight willingly and with open eyes. This is where the protagonist comes in. He is that necessary leader who will teach the blacks the right way to fight.

While giving his first speech in front of a great audience, following up the speeches of Brother Jack on all others from the brotherhood, the protagonist can barely contain his emotions.  He had planned his whole speech, but in the actual moment, the words controlled him and flew out of him with no second thought. He had the answer as to what the race was doing wrong: "do you know what makes us so uncommon? We let them do it." (343) The protagonist finally addresses the fact that it is their own fault for allowing their condition to be imposed down upon them. They are the only people (therefore uncommon) who would allow this to happen to them. Here comes, then, the protagonist's solution to their problem: they have to develop the strength to stop permitting to be treated how they are treated. Before others can change, blacks themselves have to believe in their own humanity.

Hamlet Is In All of Us

The evidence that states that the blacks are in an inferior position and should try to raise themselves up to the human level continues appearing. The whites prove their overly important existence, and convince whites and blacks alike of this false statement. Being white, then, must account for being happier. Or such they say. "You too can be truly beautiful. Win greater happiness with whiter complexion. Be outstanding in your social set." (262) Absurd. The irony of comments like this, especially in the way that Ralph Ellison follows them with the description of the statue of a black slave, can't help but stand out to the reader.

The theme of inaction in the black society is also present when the protagonist first meets Brother Jack. He states "They're living, but dead. Dead-in-living... a unity of opposites." (290) Brother Jack understands that blacks are a people full of the potential to do something, but they are silenced into "death" by the oppression of the whites. It is this behavior that Brother Jack believes the protagonist can bring a change upon. It he can rise the race to action, walls will be overcome.

Then, the mass effect and dehumanization of the black individual continues to take place. It is assumed by most people that a black man is just that: a man who's black. But they don't give the person any opportunity to define himself as an individual different from all other black individuals. As an example to this, Ellison makes a character question the protagonist: "Nonsense," he says, "all colored people can sing." (312) The reader understands the irony in such a statement, because he doesn't picture the strength of such an accepted social construct as who a black man should be.

The protagonist himself has also begun to notice the changes that have to take place within the race for its development, as he changes from a mere black man to a successful leader. He reclaims to the people bothering him late at night "Get rid of your cottonpatch ways! Act civilized!" (320) An allusion to the slavery a couple of decades before is what the protagonist uses to bring these people to action. He claims that even though they had now rid themselves of the chains that tie them to slavery, they have kept, as a race, the idea that they are still slaves. Their personal perception of themselves portrays the blacks as free slaves: not really free, not really slaves.

There is also the known way that Ellison, talking about something else, includes lines that make a lot of sense in the racial struggle. The protagonist is literally searching for a garbage can in which to throw away his trash, and he finds himself saying "I didn't know that some kinds of garbage were better than others." (328) This could have been said in a completely different setting, such as in a political fight for the rights of blacks. The protagonist is basically calling all humans "trash", yet he states that other consider white trash better than black trash. I find it really smart for Ellison to specifically choose to put this sentence in this part, because it brings extra attention to it from the reader. These hidden statements are what really show Ellison's opinion on the struggle the protagonist is facing.

Wednesday, May 2, 2012

"Eternity" BBC Romantics - Notes

Romantics: Late 18th Century

Samuel Taylor Coleridge:
  • opium inspiration + alcohol = addiction + crazy?

John Keats:
  • Surgeon, felt patient's pain as his own pain
  • The power of empathy! --> decided to heal through words and became a poet
  • Romantics: the study of the human soul through poetry
  • explain the purpose of life and the earth
  • lost his father at 8 years old --> poetry is a journey into his own soul
  • greater love of life for tragedy, but still died of tuberculosis at 26
  • final days writing poetry and looking at immortal art ruins, his poetry achieved immortality
Percy Bysshe Shelley:
  • expelled from Oxford
  • wrote atheism pamphlet
  •  atheism = freedom
  • a god made by man needs men to be heard by men
  • cheated on wife with Mary Wollstonecraft (A Vindication of the Rights of Women)
  •  believed in freedom of action b/c of no punishment from religion
  • violator of social conventions: "free love"
  • questioning his existence - only in death would he be a true poet
  • died in a storm in the ocean, found a book of his poems in his pocket
  • his heart was preserved with a manuscript
Lord Byron:
  • fanatism of romanticism - celebrity
  • bestseller poetry: chose to embrace public life as to give meaning to his own existence
  • no worship of god, but yes worship of Byron
  • romantics: dissatisfied, yearning for new sensations - scandalists!
  • mobs followed him when news came of possible homosexuality; left home to Venice
Romantic Movement:
  • Anatomy: Romantics against it "The body could not be understood in scientific terms"
  • imagination = soul itself. unconscious = true identity
  • religion is not the center of existence, but each person's mind and body
  • a poet has no identity because it is expressing other's feelings
  • life guided by individual will and desire guided by no external god or laws: no solid afterlife!
  • no immortality = liberation from the pains of a corporeal existence
  • poetry can achieve immortality by trapping the author's emotions in his words
  • poetry became a substitute for religion "poetry is something divine, the center of all knowledge" -PBS
  • desire of experience and celebration of originality
  • rockstars and celebrities + liberty = romantic
  • INDIVIDUALITY makes us all romantics

Response: 
The Romantics are people who, throughout poetry, are trying to find the liberty of a world with no constraints. According to romantics, the human soul and human life should be analyzed through the work of literature. Atheism is strongly related to romanticism, as no God was good enough for romantics to be worth constraining their lives. Individuality, and the search for knowledge on one's own experiences is what characterizes the romantic movement. Without realizing it, many of us might be romantics, guided by the desire of controlling our own lives with personal experiences and glad to let out our emotions through our writing.